Aesthetic Creation from the Semiotics of the Andean Worldview by the artist Efraín Araníbar Álvarez

Authors

DOI:

https://doi.org/10.54943/lree.v6i1.812

Keywords:

Artist, Andean worldview, aesthetic creation, artistic production, , semiotics, semiotics

Abstract

The objective of the research was to determine the relationship between the aesthetic creation and the semiotics of the Andean worldview of the artist Efraín Araníbar Álvarez by the students of the Diego Quispe Tito National University of Art in Cusco. The methodological approach was quantitative, with a synthetic analytical method, a non-experimental cross-sectional design, a basic substantive type, and a correlational descriptive level. The population consisted of students from the 8th and 10th semesters of the drawing and painting specialty; a census sampling of 71 students was used. The instrument was a questionnaire validated by experts, consisting of 21 items; for the reliability of the instrument, Cronbach's Alpha coefficient was used, where the value of 0.642 was obtained for the artistic production variable and 0.808 for the semiotics variable of the Andean worldview. Therefore, it was established that the instrument is reliable for data processing. The Spearman's Rho test was used to correlate the variables because the data follow a non-normal distribution calculated by the Kolmogorov-Smirnov test. The results showed a medium positive correlation between the aesthetic and semiotic creation of the Andean worldview of artist Efraín Araníbar Álvarez by students at the Diego Quispe Tito National University of Art in Cusco.

Downloads

Download data is not yet available.

References

Alvarez, W. (2019). Conceptos fundamentales del pensamiento estetico. Guillermo de Ockham, 17(2), 34 - 39.

Chambi, E. (2016). Identidad simbolica de la cosmovisión andina. Grado de doctor. Universidad Nacional del Altiplano, Puno.

Chambi, E. (2019). Cosmovisión simbólica de la cultura andina. Revista de Investigaciones de la Escuela de Post Grado, 8(1), 915-930. doi:http://dx.doi.org/10.26788/riepg.2019.1.113

Crespi, I., & Ferrario, J. (1995). Lexico tecnico de las artes. Buenos Aires: Eudeba.

Depaz, Z. (2015). La cosmo-visión andina en el Manuscrito de Huarochiri. Lima: Vicio Perpetuo Vicio Perfecto.

Dewey, J. (2008). El arte como experiencia. Barcelona: Paidos.

Estermann, J. (2014). Cruz y Coca. Hacia la descolonización de religión y teología. Abya - Yala.

Ferrer, C. (2016). Variaciones iconográficas en la producción artistica de Picasso. [Tesis de Doctor, Universidad de Málaga]. Repositorio institucional. Obtenido de https://riuma.uma.es/xmlui/handle/10630/12761

Garcia, C. (2010). Cosmovisión Inca: Nuevos enfoques y viejos problemas. Tesis doctoral. Universidad de Salamanca, Salamanca.

Grimaldi, N. (1984). ¿Qué simboliza la creación estética? Madrid: EUNSA.

Gutierrez, T. (2018). Cosmovisión andina y educación intercultural bilingue en estudiantes del Instituto Superior Pedagógico "Nuestra Señora de Lourdes" Ayacucho - 2015. Universidad Andina Néstor Cáceres Velazquez, Juliaca.

Manonelles, L. (2015). Ai Weiwei: La recepción de su producción artística. Arte, Individuo y Sociedad, 27(3), 413-428. doi:https://doi.org/10.5209/rev_ARIS.2015.v27.n3.45730

Moréas, J. (1886). Manifiesto simbolista. Paris: Le Figaro.

Núñez, E. (2004). Memoría Colectiva y Estructuras Simbólicas en el Diseño Gráfico [Tesis de

Licenciatura, Pontificia Universidad Católica del Perú}. Repositorio Institucional, Lima. Obtenido de file:///C:/Users/User/Downloads/NU%C3%91EZ_ALAYO_EVELYN_MEMORIA_COLECTIVA.pdf

Pendas, M., Triado, J., & Triado, X. (2009). Historia del arte. España: Vicens Vives.

Qhapaq, J. (2012). Inka Pachaqaway - Cosmovisión andina. Lima: Investigación y Esudios Inkasicos.

RAE. (Octubre 2014). Diccionario de la Real Academía Española. Obtenido de https://dle.rae.es/arte?m=form

Ramos, R., Rivera, A., Aguilar, H., & Vergara, H. (2019). Representación gráfica de la cultura andina. Ciencia Digital, 3(2), 73-86. doi:https://doi.org/10.33262/cienciadigital.v3i2.6.519

Rengifo, G. (2015). Cosmovisión Andina. Volvere, 48.

Slater, L. (2014). El Logos como principio del proceso creativo. Grado de Magister. Pontificia Universidad Catolica del Perú, Lima.

Taipe, R. (2013). Práctica de cosmovisón andina en los pobladores del anexo de Callcapa, provincia de Acobamba - Hauncavelica. Licenciaura. Universidad Nacional de Huancavelica, Huancavelica.

Tejeiro, A. (1955). Nociones de una Astronomía Aymara. La Paz- Bolivia: Revista Municipal de Artes y Letras.

Valladolid, J. (1991). Agro-astronomía Andina. Lima: PRATEC.

Villoldo, A. (2006). Mending the past and Healing the future with Soul Retrieval. London: Hya House.

Downloads

Published

2026-01-01

How to Cite

Champi Huillca, D. A., Visa Quispe, V., & Paucar Solorzano, E. (2026). Aesthetic Creation from the Semiotics of the Andean Worldview by the artist Efraín Araníbar Álvarez. Llimpi, 6(1), 57–66. https://doi.org/10.54943/lree.v6i1.812
Metrics
Views/Downloads
  • Abstract
    0
  • PDF (Español (España))
    0
  • HTML (Español (España))
    0

Issue

Vol. 6 No. 1 (2026): Enero-Junio

Section

ARTICULOS

License

Copyright (c) 2026 Doris Aramanda Champi Huillca, Victor Visa Quispe, Edwin Paucar Solorzano

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

The authors assign their rights to Llimpi so that it may disseminate the article through the means available to it. The authors maintain the right to share, copy, distribute, perform and publicly communicate their article, or part of it, mentioning the original publication in the journal.